The Thin Blue Line

1988 Documentary

Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. more..

Director: Errol Morris

Reviews

  • The most provocative miscarried-justice movie ever.

    Mike Clark - USA Today

    11 May 2013

  • More like a waking nightmare than a docudrama. A true story of murder and justice evidently miscarried, wrapped in the fictional haze of a surrealistic whodunit, it will leave you in a trance for days.

    Desson Thomson - The Washington Post

    11 May 2013

  • A fact-filled study that's also a full-fledged work of cinema art.

    David Sterritt - Christian Science Monitor

    11 May 2013

  • A mesmerizing reconstruction and investigation of a senseless murder. It employs strikingly original formal devices to pull together diverse interviews.

    - Variety

    11 May 2013

  • Morris has fashioned a brilliant work of pulp fiction around this crime.

    Elvis Mitchell - The New York Times

    11 May 2013

Awards

  • Best Edited Documentary

    American Cinema Editors (1989)

     
  • Best Documentary

    Boston Society of Film Critics Awards (1989)

  • Errol Morris

    Deauville Film Festival (1989)

     
  • Best Motion Picture

    Edgar Allan Poe Awards (1989)

  • Best Director

    Independent Spirit Awards (1989)