A rush of a movie from South Korea that slips and slides from horror to humor on rivers of blood and offers the haunting image of a man, primitive incarnate, beating other men with an enormous, gnawed-over meat bone.
Na captures at once the fragility of the human body and the deep-rooted darkness of the human soul. The Yellow Sea is easily one of the films of the year for underserved action-heads.
More startling than an unexpected punch in the noggin, Na Hong-Jin's unusual thriller could have the highest knife count this side of Ramsay's Kitchen Nightmares. A violent thrill-ride to a dark new corner of Asian cinema.
Gushing more blood and possessing more stamina than any number of Hollywood hack-'em-ups, writer-director Na Hong-jin's pulse-pounding, mordantly funny genre piece is at times messily convoluted, yet serious and full-bodied enough to achieve a genuinely tragic dimension.
If anything, Na's film is too much of a good thing, exceeding credibility too often (the punching-bag hero is far too lucky - good and bad - and absorbs a hilarious amount of punishment) in its pursuit of despairing violence. But that's the Korean way, and Na nails down the bottom feeder realism while slouching toward video-game hyperbole.
Achievement in Directing
Asia Pacific Screen Awards (2011)
Best Actor
Asian Film Awards (2011)
Hong-jin Na
Cannes Film Festival (2011)
After Dark Competition
Chicago International Film Festival (2011)
Best Costume Design
Grand Bell Awards, South Korea (2010)
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