The Last Temptation of Christ
Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzakis's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. more..
Director: Martin Scorsese
Starring: Willem Dafoe, Barbara Hershey, Harvey Keitel, Harry Dean Stanton, David Bowie
Here is a film that engaged me on the subject of Christ's dual nature, that caused me to think about the mystery of a being who could be both God and man. I cannot think of another film on a religious subject that has challenged me more fully. The film has offended those whose ideas about God and man it does not reflect. But then, so did Jesus.
The crucifixion is the strongest such scene of all time.
Powerful, haunting, and at times very moving, The Last Temptation of Christ presents its account of the events and conflicts of Christ's life with a depth of dramatized feeling and motivation that renders them freshly compelling.
It would seem impossible that anyone looking into the heart and the clear intent of the film would fail to see Scorsese's passion for his subject. And if our world is becoming so dangerously constricted that we're forbidden even to look, that is something we should all worry about.
Dafoe manages to draw us into the mystery, anguish and joy of the holy life. This is anything but another one of those boring biblical costume epics. There is genuine challenge and hope in this movie.
Best Director
Academy Awards (1989)
Best Original Score - Motion Picture
Golden Globes (1989)
Best Album of Original Instrumental Background Score Written for a Motion Picture or Television
Grammy Awards (1990)
Best Director
Los Angeles Film Critics Association Awards (1988)
Most Divine Miracle in a Movie (Milagro más Divino en una Película)
MTV Movie Awards, Mexico (2004)
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