Who Framed Roger Rabbit
In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. more..
Director: Robert Zemeckis
Starring: Bob Hoskins, Christopher Lloyd, Joanna Cassidy
A film whose best moments are so novel, so deliriously funny, and so crazily unexpected that they truly must be seen to be believed.
Dense, satisfying, feverishly inventive and a technical marvel... But--animation aside--the treasure of the piece is Hoskins' pungent, visceral comic performance.
The movie is funny, but it's more than funny, it's exhilarating.
What is astonishing about this movie is how all the elements are so deftly mixed - the technology of real sets and people interwoven with the cartoon world, and yet Zemeckis hardly sacrifices a beat in laying out a curlicuing '40s-style thriller.
If it isn't flawless, neither is "Fantasia"... Here's a live-action/animated marvel with no screen antecedent; "Chinatown" may actually come closest.
Best Effects, Sound Effects Editing
Academy Awards (1989)
Best Director
Academy of Science Fiction, Fantasy & Horror Films (1990)
Best Edited Feature Film
American Cinema Editors (1989)
Best Individual Achievement: Technical Achievement
Annie Awards (1988)
Best Special Effects
BAFTA Awards (1989)
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