What Dreams May Come
Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie's all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he's passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison. more..
Director: Vincent Ward
Starring: Robin Williams, Cuba Gooding Jr., Annabella Sciorra, Max von Sydow, Jessica Brooks Grant
So breathtaking, so beautiful, so bold in its imagination, that it's a surprise at the end to find it doesn't finally deliver.
This is one of those failures that has so many near-great things that it almost gets by on guts.
So diaphanous it practically dissolves as you watch it.
Astonishing visualizations of the afterlife are coupled with a drawn-out allegory about communication between the living and the dead that becomes something of a trial to sit through.
This visually inventive fantasy paints the wide screen with colorful effects, but its psychological and spiritual ideas rarely rise above "new age" fuzziness.
Best Effects, Visual Effects
Academy Awards (1999)
Feature Film
Art Directors Guild (1999)
Favorite Supporting Actor - Drama/Romance
Blockbuster Entertainment Awards (1999)
Outstanding Supporting Actor in a Motion Picture
Image Awards (1999)
Theatrical Releases - Electronic Visual Effects
International Monitor Awards (1999)
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