Valmont
The third adaptation of Choderlos de Laclos' classic novel Les Liasons Dangereuses, Milos Forman's Valmont was released one year after Stephen Frears' more famous version of the de Laclos original, Dangerous Liaisons. The plot remains the same: two debauched, depraved 18th century French aristocrats, the Vicomte de Valmont (Colin Firth) and the Marquise de Merteuil (Annette Bening), conspire to destroy several innocent lives, just for the fun of it. But whereas Stephen Frears concentrated on the machinations of the marquise, Forman, per his film's title, devotes most of his screen space to Valmont (played in the Frears version by John Malkovich). In fact, Forman's film concludes with Valmont's conscience-stricken renunciation of his past sins, and his duel to the death, rather than de Meurteil's well-deserved comeuppance. Forman has chosen to set the story back some 50 years, de-emphasizing the opulence that was vital to Frears' vision; he has also utilized a younger cast. more..
Director: Milos Forman
Starring: Colin Firth, Annette Bening, Meg Tilly, Fairuza Balk
The Frears version is cerebral and claustrophobic, an exercise in sexual mindplay.
The film is rapturously beautiful, enticing us into a lush, aristocratic world.
Valmont is a superb piece of craftsmanship, impeccable in every detail from lighting to costuming, but as a work of art it remains tentative and blurred.
But seductive as his surfaces are, Forman's tack doesn't hold for long. His changes have muted a great tale of betrayal by intelligence and he has blunted the malign inevitability of Laclos' story.
Valmont, to my surprise, isn't the best movie of Choderlos de Laclos' novel. Blame overripe material, as well as Forman's benign approach to an essentially nasty yarn.
Best Costume Design
Academy Awards (1990)
Best Costume Design
BAFTA Awards (1992)
Best Costume Design (Meilleurs costumes)
César Awards, France (1990)
Newcomer of the Year
London Critics Circle Film Awards (1992)
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