The Merchant of Venice
One of William Shakespeare's most powerful comedies has been given a bold cinematic adaptation in this film version of +The Merchant of Venice. Bassanio (Joseph Fiennes) is a young and vital member of the aristocratic classes in 16th century Italy; however, Bassanio's impulsive nature and lavish lifestyle have put him deeply in debt, and he will need at least the pretense of a fortune if he is to win the hand of the beautiful Portia (Lynn Collins). Bassanio turns to his close friend Antonio (Jeremy Irons), a successful businessman, for financial help, but with much of his fortune tied up in a sailing expedition, Antonio can do little to help him. To help Bassanio, Antonio turns to Shylock (Al Pacino), a Jewish money lender who lives in Venice's Semetic ghetto. Antonio has often expressed his contempt for Shylock, who charges high rates for his loans, and Shylock clearly seems pleased at the ironic prospect of having Antonio as a customer; however, instead of interest, Shylock demands an unusual security on his loan -- though Shylock demands no interest, if Antonio does not repay the three thousand ducats in three months, Shylock will be entitled to a pound of his flesh. This version of The Merchant of Venice was directed by Michael Radford, best known for the international hit Il Postino, and was shot on locations in Venice and Luxembourg. more..
Director: Michael Radford
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Lynn Collins, Zuleikha Robinson
An exceptional example of Shakespeare on film.
Pacino shows you what is only subliminally in the text: that Shylock's heart of stone is really a wall of wounded pride.
Pacino gives a keenly measured performance, leading an excellent British cast through their paces in a richly colorful production that should please selective audiences and adds to the list of major film adaptations of Shakespeare's work.
It has greatness in moments, and is denied greatness overall only because it is such a peculiar construction; watching it is like channel-surfing between a teen romance and a dark abysm of loss and grief.
The film itself occasionally plods, but Pacino, tackling a tough trap of a role, raises the bar in a mesmerizing acting triumph.
Best Costume Design
BAFTA Awards (2005)
Best European Film (Miglior Film dell'Unione Europea)
David di Donatello Awards (2005)
Best Production Design (Migliore Scenografia)
Italian National Syndicate of Film Journalists (2006)
British Director of the Year
London Critics Circle Film Awards (2005)
Best Production Design in a Foreign Language Film
Sannio FilmFest (2005)
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