The Gleaners and I
Legendary filmmaker Agnes Varda takes digital camcorder in hand and roams about the French countryside in search of "gleaners." An age-old practice, as depicted in Millet's famous painting, performed traditionally by peasant women, gleaners scavenged the remains of a crop after the harvest. Varda finds their modern-day equivalent collecting rejected potatoes outside of Lyon, fallen apples in Provence, and refuse in the markets of Paris. Along the way, she talks to a man sporting yellow rubber boots who has lived on trash for ten years, a gourmet chef who gleans for his restaurant, a homeless doctorate in biology who teaches literacy courses to immigrants for free, a couple of artists who use trash in their work, and the grandson of early cinema innovator
Director: Agnès Varda
The story of herself (Varda), a woman whose life has consisted of moving through the world with the tools of her trade, finding what is worth treasuring.
Of all the movies I've seen in the past several years, this is one of the ones I love the most.
A fascinating nonfiction voyage into rural and urban France, focusing on idiosyncratic individuals who live off things the rest of us throw away, from food to furniture.
Feels delightfully organic, eccentrically rambling, the found artistic collage of a woman who herself loves to collect.
She (Varda) plucks images and stories from the world around her, finding beauty and nourishment in lives and activities the world prefers to ignore.
Best Documentary
Boston Society of Film Critics Awards (2001)
Best Documentary
Chicago Film Critics Association Awards (2002)
Best Documentary
Chicago International Film Festival (2000)
Agnès Varda
European Film Awards (2000)
Best Film
French Syndicate of Cinema Critics (2001)
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