The Game
Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." more..
Director: David Fincher
Starring: Michael Douglas,Sean Penn, Deborah Kara Unger, James Rebhorn, Peter Donat
The movie's thriller elements are given an additional gloss by the skill of the technical credits, and the wicked wit of the dialogue.
An intensely exciting puzzle-gimmick thriller, the kind of movie that lets you know from the start that it's slyly aware of its own absurdity.
At times The Game is frustrating to watch, but that's just a measure of how well Fincher succeeds in putting us in his hero's shoes.
On the surface, The Game is an unusually imaginative thriller that bends its offbeat plot into so many twists that you actually have to pay attention - something few Hollywood movies demand nowadays - to understand its evolution and enjoy the multiple payoffs at the end.
It's a cut above the throng of mindless, purported thrillers in which explosions and gun battles replace even rudimentary story telling.
Best Action/Adventure/Thriller Film
Academy of Science Fiction, Fantasy & Horror Films (1998)
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