The Fountain
Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man's thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film's allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Even more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky and co. re-edited it to conform to a PG-13 rating. more..
Director: Darren Aronofsky
Starring: Hugh Jackman, Rachel Weisz, Ellen Burstyn, Mark Margolis, Donna Murphy
I'm as touched and charmed by its failures as I am transfixed, at times, by its successful inventiveness and audacity.
In telling a tale of love across time, Aronofsky is sometimes guilty of creating arty, pretentious psychobabble. But in visual terms, he's trying to expose his own raw, romantic heart. Folly? Maybe. But a risk worth taking.
A noble, shipwrecked folly.
Bloated and logy, and art-directed within an inch of its life, the movie shovels heaps of phony portent and all-purpose mystical imagery onto a thin and maudlin plot.
Jackman does everything required of him, and his range is quite admirable, while Weisz, who has nothing to prove, does looking gorgeous very nicely.
Best Actor
Academy of Science Fiction, Fantasy & Horror Films (2007)
Best Film
Austin Film Critics Association (2007)
Best Composer
Broadcast Film Critics Association Awards (2007)
Best Original Score
Chicago Film Critics Association Awards (2006)
Excellence in Fantasy Film
Costume Designers Guild Awards (2007)
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