The Claim
One man's small empire threatens to collapse under the weight of his greed and deceit in this drama that transplants the story of Thomas Hardy's The Mayor of Casterbridge to 19th century America. In 1867, Dillon (Peter Mullan) is an Irish immigrant who settled in California during the Gold Rush of '49 and has done quite well for himself. Dillon owns nearly every business of consequence in the town of Kingdom Come; if someone wants to dig for gold, rent a room, open a bank account, or even order a drink, they have to go to Dillon to do it. One of the few profitable enterprises in town that he doesn't own is the brothel, which is operated by Lucia (Milla Jovovich), Dillon's lover. Circumstances change somewhat when Dalglish - a surveyor with the Central Pacific Railroad - turns up and expresses his plans to implement a railroad in the area. Dillon, sensing a great opportunity afoot, travels well out of his way to ensure that the line is run through Kingdom Come, to enhance the town's commercial prospects. Also arriving in town the same time as Dalglish are two women, the beautiful but ailing Elena (Nastassja Kinski) and her lovely teenage daughter Hope (Sarah Polley); their presence is deeply troubling for Dillon, for they are the keys to a dark secret Dillon has kept from the people of Kingdom Come. The Claim is Michael Winterbottom's second adaptation of the works of Thomas Hardy; his 1996 feature Jude was adapted from Hardy's final novel, Jude the Obscure. more..
Director: Michael Winterbottom
Starring: Wes Bentley, Milla Jovovich, Nastassja Kinski,Peter Mullan,Sarah Polley
Parsimonious with its plot, which is revealed on a need-to-know basis. At first, we're not even sure who is who; dialogue is half-heard, references are unclear, the townspeople know things we discover only gradually.
Stark, haunting, epic, and mournful, The Claim is a mountain of a film.
It overcomes some patchiness to turn into a rich emotional experience, ranging in degree from fire to ice.
I liked The Claim -- as much for its stark visual beauty and impassioned performances as its intelligent script and willingness to probe the tragic side of life.
Draws an electric performance from Peter Mullan.
Michael Winterbottom
Berlin International Film Festival (2001)
Best Cinematography
Boston Society of Film Critics Awards (2000)
Best Director
British Independent Film Awards (2001)
Best Supporting Actress
Chlotrudis Awards (2002)
Best Achievement in Art Direction/Production Design
Genie Awards (2002)
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