Tape

2001 Drama

In the same year that filmmaker Richard Linklater explored the possibilities of image manipulation in digital filmmaking with Waking Life, he also embraced the new medium's potential for creating intimate character portraits under confined circumstances with this feature, based on the play by Stephen Belber. Johnny (Robert Sean Leonard) is a 30-year-old filmmaker who is enjoying a recent run of success and has returned to his old hometown of Lansing, MI, to show his latest project at a film festival. While in town, Johnny pays a visit to Vince (Ethan Hawke), an old friend from high school who is staying in a nearby hotel. Vince has never had a knack for responsibility and these days scrapes together a living as a low-level drug dealer. Johnny and Vince discuss their lives, with Johnny more than a bit judgmental about Vince's current situation, when the conversation turns to Amy (Uma Thurman), a girl who was Vince's girlfriend through much of high school and who Johnny dated for a brief spell afterward. Johnny confesses that he hasn't thought about Amy in ages, but Vince informs him that she's living nearby, then begins firing a series of increasingly pointed questions at him about his relationship with Amy, concluding with the shocking accusation that Johnny once raped Amy at a party. Like Waking Life, Tape was entirely shot using digital video equipment, and director Linklater remained true to the story's origins as a stage play, using only three actors and one set for the entire film. Both Tape and Waking Life premiered at the 2001 Sundance Film Festival. more..

Director: Richard Linklater

Starring: Ethan Hawke, Robert Sean Leonard, Uma Thurman

Reviews

  • Linklater has hardly been a slacker this year. I'll take the tricky confrontational babble of Tape over some of the gauzier soliloquies in ''Waking Life,'' but either way, he's a filmmaker in love with the music of talk, and let's bless him for that.

    Owen Gleiberman - Entertainment Weekly

    27 April 2013

  • The writing, acting and direction are so convincing that at some point I stopped thinking about the constraints and started thinking about the movie's freedoms.

    Roger Ebert - The Chicago Sun-Times

    27 April 2013

  • Smart, unpredictable, and alive with the energies of actors who clearly are enjoying being stretched by their material.

    Jay Carr - The Boston Globe

    27 April 2013

  • Hawke is the movie's revelation.

    Mick LaSalle - The San Francisco Chronicle

    27 April 2013

  • Tape may not be a great movie, but it's a great demonstration of creativity within severe limitations.

    Michael Wilmington - The Chicago Tribune

    27 April 2013

Awards

  • Best Supporting Female

    Independent Spirit Awards (2002)

     
  • Richard Linklater

    Venice Film Festival (2001)