Standing in the Shadows of Motown

2002 Documentary

Based on the book of the same name by Allan Slutsky, Standing in the Shadows of Motown is a historical tribute to the unsung heroes responsible for some of the greatest hits of pop music. Part documentary and part concert performance, this film is an introduction to the intriguing personas of the Hitsville studio band originally assembled by Berry Gordy in 1959. Over 40 years later, the remaining members reunited in their home base of Detroit, MI, to tell their stories, remember their departed bandmates, and put on a concert. The creation of the Motown sound is told through in-depth interviews, archival footage, and reenactments. Personal stories are intercut with live tracks from the concert performance featuring the Funk Brothers live on-stage along with popular vocalists interpreting some of their biggest hits. Some of the guest singers stick around for conversation with the musicians and offer a contemporary perspective, including Joan Osborne, Me'Shell NdegéOcello, and Ben Harper. The film follows the group's contributions through the '60s up until Gordy moved the label to Los Angeles in 1972. more..

Director: Paul Justman

Reviews

  • Offers terrific interviews with the surviving Funk Brothers, who provide a tasty insider history of 4 a.m. recording sessions inside ''the snake pit'' (as the fabled Studio A was known) as well as a chilling description of their final kiss-off from Berry Gordy, the Motown mogul who treated them like indentured servants.

    Owen Gleiberman - Entertainment Weekly

    12 May 2013

  • Rollicking documentary that will have your toes tapping and your ears sizzling whether you're a die-hard Motown fan or not.

    David Sterritt - Christian Science Monitor

    12 May 2013

  • A glorious feature-length documentary -- This film will leave an indentment, and a deep one, on anyone who loves great, joyous music and cares about the people who make it.

    Joe Morgenstern - The Wall Street Journal

    12 May 2013

  • Gordy barely is mentioned, even though he was the artistic leader who presumably profited most from the Funk Brothers' labors. Discussing Motown solely through the prism of the musicians is like assessing Picasso's works on the basis of the paint quality.

    Mark Caro - The Chicago Tribune

    12 May 2013

  • Impassioned concert sequences with Ben Harper, Chaka Khan, Gerald Levert and especially Joan Osborne prove the Brothers' balanced approach still works on Motown chestnuts.

    Lawrence Toppman - Charlotte Observer

    12 May 2013

Awards

  • Best Documentary Showcase Film

    Austin Film Festival (2002)

  • Best Film Soundtrack

    Black Reel Awards (2003)

  • Best Documentary

    Boston Society of Film Critics Awards (2002)

  • Best Documentary

    Broadcast Film Critics Association Awards (2003)

     
  • Best Documentary

    Chicago Film Critics Association Awards (2003)