Skins
Filmmaker Chris Eyre, who directed the independent success story Smoke Signals -- one of the first motion pictures directed by, written by, and starring Native American talent -- offers another look at contemporary Native American culture in this hard-hitting drama. Rudy (Eric Schweig) and Mogie (Graham Greene) are two brothers living on the Pine Ridge Indian Reservation in South Dakota. Located in the poorest county in the United States, joblessness and alcoholism are all-too-common facts of life in Pine Ridge, and Rudy and Mogie represent opposite ends of the scale of fortune. Mogie, a Vietnam veteran who came home emotionally scarred by the war, has a severe drinking problem and can't relate to his teenage son Herbie (Noah Watts), while Mogie's younger brother Rudy has struggled to better himself, and as a law enforcement officer is a respected member of the Pine Ridge community. But while Rudy is determined to do something positive for his town, he feels there's only so much he can do as a lawman, and in his off-hours he's become a vigilante, roughing up people whom he believes are helping to bring down Pine Ridge, and plotting to blow up a nearby liquor store that profits from the widespread alcoholism that has destroyed the lives of so many of his people, including his brother. Skins received its world premier at the 2002 Sundance Film Festival. more..
Director: Chris Eyre
Starring: Eric Schweig, Graham Greene, Gary Farmer, Noah Watts
To see this movie is to understand why the faces on Mount Rushmore are so painful and galling to the first Americans. The movie's final image is haunting.
Graham Greene ("Dances With Wolves") in one of the year's best performances, he's a fully dimensional character: pathetic and shrewd, tragic and bitterly funny.
Maybe the redemptions offered are simplistic in the context of this place, but they make for a dramatic (if heavily foreshadowed) conclusion.
Has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.
Serious stuff indeed, but the film is also rich with humor -- most of it courtesy of the always-excellent Greene -- and ends with an act of vandalism as shocking as it is exhilarating.
Best Male Lead
Independent Spirit Awards (2003)
Theatrical Feature Film
Prism Awards (2003)
Graham Greene
Tokyo International Film Festival (2002)
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