Shall We Dance?
Reminiscent of the Australian hit Strictly Ballroom (1992), this romantic comedy from Japan was a hit in its country of origin, despite (or perhaps because of) its tacit criticisms of the restrictive aspects of Japanese culture. Shohei Sugiyama (Koji Yakusho) is a typically strait-laced Japanese businessmen who, passing by in his commuter train one day, glimpses a beautiful young woman, Mai (real-life ballerina Tamiyo Kusakari) through the window of a dance school. Obsessed with her, Shohei enrolls in the school and meets instructor Mai, who at first mistakes Shohei for a philanderer. To her surprise, however, Shohei is a naturally gifted dancer interested in an artistic partnership only, and Mai begins training with him for a competition. Meanwhile, Shohei becomes familiar with his eccentric fellow students, including one person that Shohei already knows, a co-worker (Akira Emoto) who blooms in the dance sessions as a bewigged master of rumba. As dancing is frowned upon in Japan as a frivolous enterprise for a respectable businessman, Shohei keeps his sideline hobby secret, leading his wife to believe that he's being unfaithful and to hire a private investigator to follow him. more..
Director: Masayuki Suo
Starring: Koji Yakusho,Naoto Takenaka, Tamiyo Kusakari, Eriko Watanabe
But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man's early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.
One of the more completely entertaining movies I've seen in a while--a well-crafted character study that, like a Hollywood movie with a skillful script, manipulates us but makes us like it.
Even when the catharsis we yearn for arrives, it's tinged with restraint. But then, the true romance in Shall We Dance? is more than personal. It's the spectacle of a nation learning to dance with itself.
And the dancing, as in ''Strictly Ballroom,'' is filmed with a wishful Fred-and-Ginger sweetness that gives the film a studiously effervescent mood.
Shohei's journey from unhappy worker bee - the early scenes are cleverly sketched to show his mundane routine without ever themselves being boring - to rejuvenated free spirit is credible, actually earning the film's final emotional wallop. Irresistible.
Best Actor
Awards of the Japanese Academy (1997)
Best Actor
Blue Ribbon Awards (1997)
Best Foreign Language Film
Boston Society of Film Critics Awards (1997)
Best Foreign-Language Film
Broadcast Film Critics Association Awards (1998)
Best Foreign Language Film
Chicago Film Critics Association Awards (1998)
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