Shall We Dance?

1997 Comedy

Reminiscent of the Australian hit Strictly Ballroom (1992), this romantic comedy from Japan was a hit in its country of origin, despite (or perhaps because of) its tacit criticisms of the restrictive aspects of Japanese culture. Shohei Sugiyama (Koji Yakusho) is a typically strait-laced Japanese businessmen who, passing by in his commuter train one day, glimpses a beautiful young woman, Mai (real-life ballerina Tamiyo Kusakari) through the window of a dance school. Obsessed with her, Shohei enrolls in the school and meets instructor Mai, who at first mistakes Shohei for a philanderer. To her surprise, however, Shohei is a naturally gifted dancer interested in an artistic partnership only, and Mai begins training with him for a competition. Meanwhile, Shohei becomes familiar with his eccentric fellow students, including one person that Shohei already knows, a co-worker (Akira Emoto) who blooms in the dance sessions as a bewigged master of rumba. As dancing is frowned upon in Japan as a frivolous enterprise for a respectable businessman, Shohei keeps his sideline hobby secret, leading his wife to believe that he's being unfaithful and to hire a private investigator to follow him. more..

Director: Masayuki Suo

Starring: Koji Yakusho,Naoto Takenaka, Tamiyo Kusakari, Eriko Watanabe

Reviews

  • But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man's early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.

    Stephen Hunter - The Washington Post

    19 January 2013

  • One of the more completely entertaining movies I've seen in a while--a well-crafted character study that, like a Hollywood movie with a skillful script, manipulates us but makes us like it.

    Roger Ebert - The Chicago Sun-Times

    19 January 2013

  • Even when the catharsis we yearn for arrives, it's tinged with restraint. But then, the true romance in Shall We Dance? is more than personal. It's the spectacle of a nation learning to dance with itself.

    Owen Gleiberman - Entertainment Weekly

    19 January 2013

  • And the dancing, as in ''Strictly Ballroom,'' is filmed with a wishful Fred-and-Ginger sweetness that gives the film a studiously effervescent mood.

    Elvis Mitchell - The New York Times

    19 January 2013

  • Shohei's journey from unhappy worker bee - the early scenes are cleverly sketched to show his mundane routine without ever themselves being boring - to rejuvenated free spirit is credible, actually earning the film's final emotional wallop. Irresistible.

    - Empire

    19 January 2013

Awards

  • Best Actor

    Awards of the Japanese Academy (1997)

  • Best Actor

    Blue Ribbon Awards (1997)

  • Best Foreign Language Film

    Boston Society of Film Critics Awards (1997)

  • Best Foreign-Language Film

    Broadcast Film Critics Association Awards (1998)

  • Best Foreign Language Film

    Chicago Film Critics Association Awards (1998)