Series 7: The Contenders
The "reality TV" craze is taken to its final, logical extreme as six people hunt each other down in a small town for the benefit of network TV cameras in this darkly comic satire. "The Contenders" is a top-rated television game show in which six contestants are set loose in the same Connecticut community, with orders to kill or be killed; the last of the six who is still alive is declared the winner. As "The Contenders" goes into its seventh season, Dawn (Brooke Smith) is a two-time champion who is hoping to hold on to her title, despite the fact that she's due to have a baby in a month. Dawn's rivals this time out are Tony (Michael Kaycheck), an unemployed blue-collar worker with a taste for violence; Connie (Marylouise Burke), a middle-aged nurse who doesn't like to hurt people but is an experienced hand with a syringe; Lindsay (Merritt Wever), an 18-year-old dance student whose parents are eager to see her compete; Franklin (Richard Venture), an elderly conspiracy theorist with a tenuous hold on reality; and Jeff (Glenn Fitzgerald), who is dying of testicular cancer -- and was Dawn's boyfriend years ago. Series 7: The Contenders marked the directorial debut for Daniel Minahan, who previously employed pop culture and America's obsession with violence as themes in his screenplay for I Shot Andy Warhol. more..
Director: Daniel Minahan
Starring: Brooke Smith, Marylouise Burke, Glenn Fitzgerald, Michael Kaycheck, Richard Venture
The most devastating spoof of reality TV since Albert Brooks' 1978 "Real Life."
Minahan wants us to see ourselves in the dark mirror of this outrageously funny satire. He's built the laughs wisely so they stick in our throats.
The murder as entertainment premise of Series 7 is proof that even the blackest of humor is no longer particularly outrageous.
This gory parody hits television where it hurts -- and draws blood. It will bring joy to the heart of anyone who hates TV.
As entertainment, such dark material can only stretch so far, and Series 7 comes awfully close to being as numbing as the genre it mocks. But its power can't be denied.
Daniel Minahan
Deauville Film Festival (2001)
Best Motion Picture
Edgar Allan Poe Awards (2002)
Best Feature
Gijón International Film Festival (2001)
Best Independent
Golden Trailer Awards (2002)
Daniel Minahan
Gotham Awards (2001)
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