Raising Arizona
Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news. Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. more..
Director: Joel Coen
Starring: Nicolas Cage, Holly Hunter, Trey Wilson, John Goodman, William Forsythe
It is a wacky, happy, daring, darkly comic tale of parenting outside the law. It celebrates the middle-of-the-road dreams of decidedly off-center folks. It's a bundle of joy.
To their old fascination with Sunbelt pathology, to their side-winding Steadicam and pristine command of screen space, the Coens have added a robust humor, a plot that keeps outwitting expectations and a surprising dollop of sympathy for their forlorn kidnapers.
Raising Arizona is no big deal, but it has a rambunctious charm. The sunsets look marvelously ultra-vivid, the pain doesn't seem to be dry - it's like opening day of a miniature golf course.
Cage creates a homey and thoroughly likable character who earns the respect of the audience, but Hunter is the real surprise. Appearing in her first starring role, the stage veteran displays so much energy that she forces the audience to pay attention.
These fraternal film makers have a lot of imagination and sense of fun - and, most of all, a terrific sense of how to manipulate imagery... But sometimes they seem to be getting too big a kick out of their own shenanigans. By the end, the fun feels a little forced.
Best Screenplay
National Society of Film Critics Awards (1988)
Best Family Motion Picture - Comedy
Young Artist Awards (1988)
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