Plunkett & Macleane
A historical comedy that applies a 1990's mindset to a tale of crime in the 1740's, Plunkett and Macleane stars Robert Carlyle as Will Plunkett and Jonny Lee Miller as Capt. James Macleane. Plunkett is a druggist who has gone broke and turned to robbery to pay his bills, while Macleane was a minor member of the aristocracy who has resorted to similar means to support himself. The two meet while serving time in prison, and after comparing notes they set out together for a career in crime. They soon discover they make a good team; Plunkett understands the nuts and bolts of theft well enough, while Macleane has the charm and connections to get them into places where they might find things worth stealing. When Macleane manages to wrangle an invitation to a night of gambling at the estate of Lord Rochester (Alan Cumming), he uses the occasion to his advantage, making the acquaintance of the lovely Rebecca (Liv Tyler) at the party and donning a mask to relieve her of her winnings on the way home. The charm and panache with which the pair commit their crimes give them a widespread reputation as "The Gentlemen Highwaymen," but Rebecca's uncle, Lord Chief Justice Gibson (Michael Gambon) is not amused, and when an especially ruthless lawman, Chance (Ken Scott), is sent on their trail, Plunkett is eager to quit while he's ahead and flee the country. Macleane, however, is too busy wooing Rebecca to listen to reason. Plunkett and Macleane is the first feature film from director Jake Scott, who has a background in commercials and music videos and is now moving forward in the family business -- his father is Ridley Scott, while his uncle is Tony Scott. If you think you've seen leading men Carlyle and Miller together before, you have -- they were also co-stars in Trainspotting. more..
Director: Jake Scott
Starring: Jonny Lee Miller, Robert Carlyle, Liv Tyler,Alan Cumming, Michael Gambon
Scott makes it easy to overlook the conventionality beneath his sometimes overdone but almost always enjoyable combination of atmosphere and propulsiveness.
None of it adds up to terribly much beyond a rip-roaring adventure that shows off Carlyle and Miller as cynical British city cousins of Butch Cassidy and the Sundance Kid.
Watchable in a facile, trashy way. Unfortunately, most of the movie is mired in sludge, slime, mud, blood, and studiously dank cinematography.
The plunk-ing of a rap/disco soundtrack onto a movie about debtors' prisons and 18th century British highwaymen?
A film overgrown with so many directorial flourishes that the heroes need machetes to hack their way to within view of the audience.
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