Pi
Darren Aronofsky scripted and made his directorial debut with this experimental feature with mathematical plot threads hinting at science-fictional elements. In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions. Filmed in 16mm black-and-white, the Kafkaesque film features music by Clint Mansell (of the UK's Pop Will Eat Itself band). Shown at the 1998 Sundance Film Festival where Aronofsky won the drama directing award.
Director: Darren Aronofsky
Starring: Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart, Stephen Pearlman
The seductive thing about Aronofsky's film is that it is halfway plausible in terms of modern physics and math.
The movie's freakazoid intensity gets to you, but there's something at once cramped and show-offy in Aronofsky's refusal to even slighty vary its atmosphere of shock-corridor burnout.
It proceeds, weirdly enough, from the truly annoying to the absolutely fascinating.
This intellectual allegory would carry more punch if it didn't slip into melodrama so often, but it marks Aronofsky as an exceptionally promising new filmmaker.
Its power lies both in Aronofsky's evocation of tightly wound paranoia and in his flawless dovetailing of personal obsession and cultural anxieties.
Best Cinematography
Chlotrudis Awards (1999)
Darren Aronofsky
Deauville Film Festival (1998)
Darren Aronofsky
Fant-Asia Film Festival (1998)
Newcomer of the Year
Florida Film Critics Circle Awards (1999)
Best Feature
Gijón International Film Festival (1998)
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