Mississippi Burning
Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. more..
Director: Alan Parker
Starring: Gene Hackman, Willem Dafoe, Frances McDormand, Brad Dourif, R. Lee Ermey
Apart from its pure entertainment value - this is the best American crime movie in years - it is an important statement about a time and a condition that should not be forgotten. The Academy loves to honor prestigious movies in which long-ago crimes are rectified in far-away places. Here is a nominee with the ink still wet on its pages.
A powerful drama about the murder of three civil-rights workers in the South. Gene Hackman and Willem Dafoe are FBI men investigating. A legitimate Oscar contender.
Mississippi Burning speeds down the complicated, painful path of civil rights in search of a good thriller. Surprisingly, it finds it
Parker, a director of breadth, not depth, never supplies the big answers, but he does powerfully depict the climate of the Confederacy in the "Freedom Summer" of 1964.
For those who know such places, Mr. Parker, who is English, evokes the texture, the gritty, fly-specked Southernness, the brooding sense of small-town menace, the racial hatred, with considerable accuracy.
Best Cinematography
Academy Awards (1989)
Best Edited Feature Film
American Cinema Editors (1989)
Outstanding Achievement in Cinematography in Theatrical Releases
American Society of Cinematographers (1989)
Best Cinematography
BAFTA Awards (1990)
Best Actor
Berlin International Film Festival (1989)
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