Mayor of the Sunset Strip
When Rodney Bingenheimer was just a teenager -- a diminutive, long-haired kid who was picked on a lot -- his mother, a divorced autograph hound, dropped him off in front of the home of actress Connie Stevens and essentially said, "Good luck." Stevens was on location shooting a movie and Bingenheimer says he didn't see his mother again for five or six years after that. The Mayor of the Sunset Strip, a documentary by George Hickenlooper (Hearts of Darkness: A Filmmaker's Apocalypse), tracks Bingenheimer's rise from the 1960s, when he was a groupie -- eventually landing his first show-business job as a double for Davy Jones on The Monkees -- through stints as a successful club owner and influential DJ to his current status as a fading musical icon. The film takes us from the innocent pop of Brian Wilson and Sonny & Cher through the raucous heyday of L.A.'s punk scene and beyond. Hickenlooper also delves into Bingenheimer's relationships, showing him mourning his neglectful and unbalanced, but beloved, mother and visiting with his father, who never attempted to make contact with Bingenheimer after his mother abandoned him. He also pines for a close friend, Camille Chancery, and helps out a seemingly hopeless middle-aged wannabe rock star, Ronald Vaughan. While Bingenheimer used his skills as a consummate hanger-on and his genuine enthusiasm for rock & roll to become a central figure in the L.A. music scene for a couple of decades and is lauded in the film for his good taste and good nature by celebrities from Cher to David Bowie to Gwen Stefani, his current life is shown to be somewhat sad and lonely. The Mayor of the Sunset Strip is chock full of cameos and features a star-studded soundtrack. It was shown at the 2003 New York Film Festival. more..
Director: George Hickenlooper
Like its star, it's quietly sincere and compulsively watchable.
Ultimately, Bingenheimer seems underwhelmed with himself. The people who know him say, in the movie, that he's a relic. Mayor of the Sunset Strip makes heartbreakingly clear what a glorious relic Bingenheimer is.
Hickenlooper's film evokes what the Japanese call mono no aware, which refers to the impermanence of life and the bittersweet transience of things. There is a little Rodney Bingenheimer in everyone, but you know what? Most people aren't as lucky as Rodney.
Bouncy, informative and funny documentary.
It's a funny-sad portrait of fame and its junkies, and of an era and its music.
Best Documentary
Independent Spirit Awards (2004)
George Hickenlooper
Santa Barbara International Film Festival (2004)
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