Mad City

1997 Drama

Investigative TV journalist Max Brackett (Dustin Hoffman) suffers setbacks and winds up filing routine reports from Madeline, California. Max and his eager intern Laurie (Mia Kirshner) are doing a story at the local Museum of Natural History when a bigger story erupts. The Museum's director, Mrs. Banks (Blythe Danner), refuses to talk to former museum security guard Sam Baily (John Travolta) about his firing due to budget cuts. Angered, Sam shoots a shotgun, accidentally hitting another security guard. Realizing he's in the middle of breaking news, Max phones his supervisor (Robert Prosky) and goes to live coverage. A class of young children is visiting the Museum, and Sam holds them hostage. Sam's link to the outside world is the opportunistic Max, who manipulates the situation, telling Sam what to say on camera. Within hours, as the event escalates to national interest, vendors arrive to hawk products at the museum grounds, while the entire country tunes in the ongoing coverage. The screenplay by Eric Williams and Tom Matthews (former managing editor of Boxoffice) is a technological updating of the 1951 Billy Wilder classic Ace in the Hole (aka The Big Carnival) about a scheming journalist (Kirk Douglas) who delays the rescue of a man trapped by a rockfall in order to continue his newspaper reports. Acknowledging the Wilder film, the name "Brackett" is an obvious nod to Charles Brackett, Wilder's long-time collaborator. Filmed in Los Angeles and San Jose, where the San Jose Athletic Club served as the museum location site. Shown at the 1997 Denver Film Festival. more..

Director: Costa-Gavras

Starring: John Travolta,Dustin Hoffman, Mia Kirshner,Alan Alda, Robert Prosky

Reviews

  • Influenced by Billy Wilder's classic "Ace in the Hole," this dark comedy-drama rambles on too long and strains credibility at times.

    David Sterritt - Christian Science Monitor

    26 April 2013

  • Director Costa-Gavras packs a whole lotta hectoring into this high-strung morality play about the broadcast media's culpability in the escalation of human drama into camera-ready Greek tragedy.

    Lisa Schwarzbaum - Entertainment Weekly

    26 April 2013

  • Yet in trying to be honest and non-conformist, Mad City does the most dishonest thing imaginable: it conforms to Hollywood routine.

    - Empire

    26 April 2013

  • Mad City might have been more fun if it had added that extra spin--if it had attacked the audience as well as the perpetrators. As it is, it's too predictable.

    Roger Ebert - The Chicago Sun-Times

    26 April 2013

  • Not for a minute is Mad City anything less than entertaining. Yet it becomes frustrating nonetheless. Its ideas gradually seem to be at cross-purposes -- not complex, not tantalizingly ambiguous, but tangled and undefined.

    Mick LaSalle - The San Francisco Chronicle

    26 April 2013

Awards

No awards