Home
A single mother struggling to raise her six children while simultaneously qualifying for home ownership receives a helping hand from a former fashion industry executive-turned-community activist in filmmaker Jeffrey M. Togman's though-provoking meditation on the future of urban America. Sheree Farmer lives with her six children on a dead-end Newark street controlled by gangs. Though she longs to escape her violent surroundings, a fight with her daughter Jalishah while working to qualify for a mortgage causes Sheree to lose custody of the young girl to her abusive ex-husband Larry - a violent ex-con and former drug-addict who mercilessly battered Sheree over the course of the couple's tumultuous fifteen-year marriage. Now threatened with the prospect of jail time for hitting her daughter and doubtful that she will be able to meet the rigorous demands required to become a homeowner, Sheree attempts to claim her stake on the American dream while all the while challenging the contemporary views of race and class. more..
Director: Jeffrey Togman
The bad news is that Seitz's protagonists are almost all insufferable: Smug, self-important, opinionated and relentlessly convinced that they're far more sensitive, intelligent and interesting than they are.
There's nothing especially new or interesting about the guests, the party or the movie. One bright note is Nicol Zanzarella as the elegant Susan, a freelance TV editor and co-host.
Home accumulates a blurry, on-the-fly atmosphere spiked with moments of unexpected sweetness. The movie, though, is most successful when the dialogue mutes and our attention is focused on Jonathan Wolff's gliding camera; in those moments, the brownstone is the most interesting character of all.
Home's improvisatory aura proves more believable than "The Anniversary Party's" annoying contrivances, but it does little to hide the obvious fact that watching a rather dull party can be, well, rather dull.
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