Hadewijch

2009 Drama

The strength of one woman's faith takes her to strange and dangerous places in this drama from acclaimed French filmmaker Bruno Dumont. Céline (Julie Sokolowski), the daughter of a wealthy and respected family, is a 20-year-old student of theology whose passion for Christianity is so strong some find it unnerving. Céline has been studying at a convent, but her single-minded devotion leads the mother superior to ask Céline to leave and go out into the world. As Céline strives to find herself in a world that seems to have lost its moral compass, she meets Yassine (Yassine Salime), a Muslim teenager who lives in the city. Yassine is quite taken with Céline and they strike up a friendship, but while she warily hangs out with his friends and goes to nightclubs with him, she stubbornly denies him physical affection, insisting her spiritual path is more important to her than sex. Yassine introduces Céline to his brother Nassir (Karl Sarafidis), a firmly committed Muslim, and in him Céline finds a kindred spirit -- despite the differences in their faiths, their belief is equally powerful, and they share the opinion that they live in a world that has cut itself off from God. When Nassir makes a pilgrimage to the Middle East, Céline joins him, leading her into a strange maze of violence and fear. Hadewijch (the title comes from a Christian author and visionary of the 13th century) was an official selection at the 2009 Toronto International Film Festival. more..

Director: Bruno Dumont

Starring: Julie Sokolowski, Karl Sarafidis, Yassine Salime, David Dewaele, Brigitte Mayeux-Clerget

Reviews

  • Dumont makes movies that almost nobody wants to see. That doesn't make him a great filmmaker, but he's a great filmmaker all the same.

    Mick LaSalle - The San Francisco Chronicle

    26 April 2013

  • Bruno Dumont's Hadewijch is one of two small-release art films this season that deliver nuanced and fascinating portraits of faith.

    Andrew O'Hehir - Salon.com

    26 April 2013

  • If Hadewijch is Mr. Dumont's most overtly religious film, it is not pro-faith in any specific way, although the director clearly respects the religious impulse.

    Stephen Holden - The New York Times

    26 April 2013

  • There's a darker, fanatical side to blindness too-and this is the movie to show it. Leave all judgments behind.

    Joshua Rothkopf - Time Out New York

    26 April 2013

  • As in "L'Humanité" and "Twentynine Palms," the director presents a cogent study of emotional excess with a sure handed control that harkens back to Robert Bresson.

    Barbara Goslawski - Boxoffice Magazine

    26 April 2013

Awards

  • Best Foreign Film, Not in the Spanish Language (Mejor Película Extranjera)

    Argentinean Film Critics Association Awards (2011)

     
  • Special Presentations

    Toronto International Film Festival (2009)