Gloomy Sunday

1999 Drama

Rolf Schuebel makes his directorial debut with this subtly-told true story about one the 1930s' most memorable melodies. Set just prior to WWII, the film focuses on Hungarian beauty Ilona (Erika Marozsan) and her significant other Laszlo Szabo (Joachim Krol), a dapper owner of Budapest's finest restaurant. Though Ilona is known for her prowess on the piano, the two decide to hire a professional as the finishing touch on their classy establishment. They hire Andras (Stefano Dionisi), a taciturn man with a certain mysterious charm. Meanwhile, regular customer and German businessman Hans (Ben Becker) finds himself utterly and completely smitten with the vivacious Ilona. When she spurns his advances, he drunkenly jumps into the Danube. Laszlo manages to rescue him and the three grow to become close friends. At the same time, Andras and Ilona grow to be something more than friends, and -- with the knowledge and approval of Laszlo -- they become lovers. Later, Andras composes a tune dedicated to his new consort and Laszlo quietly arranges for a couple of Austrian record execs to come to the restaurant to listen. Oozing with jaded ennui, the song, sans lyrics, quickly becomes an international success, yet it also seems to cast a dark spell over listeners -- people cannot help but commit suicide. In Hungary alone, 157 people killed themselves in the span of eight weeks. At the same time, the Third Reich marches into Austria. As the film progresses, Hans returns to Budapest, this time as an SS officer. There he offers Laszlo, who is Jewish, and who offers him free passage in exchange for money. This film was screened at the 2000 Berlin Film Festival. more..

Director: Rolf Schübel

Starring: Joachim Krol, Stefano Dionisi, Erika Marozsan, Ben Becker, Sebastian Koch

Reviews

  • A beautiful period piece, set against one of the world's glorious cities, adding poignancy. Twists and turns heighten a gradually accruing effect, building to a risky moment of truth, a coup de théâtre that is as daring as it is satisfying.

    Kevin Thomas - Los Angeles Times

    19 January 2013

  • It's an old-fashioned romantic triangle, told with schmaltzy music on the sound track and a heroine with a smoky singing voice, and then the Nazis turn up and it gets very complicated and heartbreaking.

    Roger Ebert - The Chicago Sun-Times

    19 January 2013

  • Strange, compelling and hard to classify, it's both a romance and a character study, and it's set against a historical backdrop.

    Mick LaSalle - The San Francisco Chronicle

    19 January 2013

  • Suicides are proliferating in the city -- is the song to blame, or is it the tenor of the times?

    David Sterritt - Christian Science Monitor

    19 January 2013

  • Long on atmosphere and Old World charm.

    Kirk Honeycutt - The Hollywood Reporter

    19 January 2013

Awards

  • Best Cinematography (Kamerapreis)

    Bavarian Film Awards (2000)

  • Rolf Schübel

    Coachella Valley Festival of Festivals (2001)

  • Scenic (Szenische Schnittleistung)

    German Camera Award (2000)

     
  • Best Performance by an Actor in a Leading Role (Beste darstellerische Leistung - Männliche Hauptrolle)

    German Film Awards (2000)

     
  • Rolf Schübel

    German Screenplay Award (2000)