Festival in Cannes

2001 Comedy Drama

The romance, intrigue, and industry politics of the world's biggest film festival -- which is also the world's biggest film marketplace -- provides the backdrop for this typically understated comedy-drama from director Henry Jaglom. Alice Palmer (Greta Scacchi) is a well-known American actress who has written a screenplay that she'd like to direct, and she arrives a the Cannes Film Festival to look for investors. Alice has her eyes on veteran star Millie Marquand (Anouk Aimee) to play the lead, but while Millie loves the script, she's been offered a better-paying supporting role in an upcoming Tom Hanks project. Meanwhile, Millie's former husband Viktor Kovner (Maximilian Schell) is a director fallen on hard times who is trying to scare up financing for his own film. Producer Rick Yorkin (Ron Silver) wouldn't mind leaving Millie in the lurch if it meant landing Alice for his next project. Kaz (Zack Norman) is a less-than-scrupulous producer hoping to put some sort of package deal together. And Blue (Jenny Gabrielle) is a young woman whose shoestring budget independent film has become an unexpected smash hit. Shot in the midst of the 1999 Cannes Film Festival, Festival In Cannes features cameos from such stars as Jeff Goldblum, Holly Hunter, Faye Dunnaway, and William Shatner. more..

Director: Henry Jaglom

Starring: Anouk Aimee, Greta Scacchi,Maximilian Schell, Ron Silver, Zack Norman

Reviews

  • A giddy comic fantasy, full of romance, chicanery and beguiling, sophisticated players.

    Kevin Thomas - Los Angeles Times

    19 January 2013

  • Wry and sometime bitter movie about love.

    Mick LaSalle - The San Francisco Chronicle

    19 January 2013

  • One of the season's most watchable treats.

    David Sterritt - Christian Science Monitor

    19 January 2013

  • Many of the story lines offer only superficial insight into the characters; Silver's rich but unhappy mogul has been done far too many times.

    Loren King - The Boston Globe

    19 January 2013

  • Makes compromises itself, but only because of its small budget and its director's mixed dark-and-rosy vision, at once cynical and sentimental. Yet at least it has a vision -- of both life and cinema.

    Michael Wilmington - The Chicago Tribune

    19 January 2013

Awards

No awards