Femme Fatale
Brian De Palma blends the emotional netherworld of film noir with a stylish portrayal of life among the wealthy and powerful in Paris in this glossy thriller. Laure Ash (Rebecca Romijn-Stamos) is a beautiful but mysterious woman who has aligned herself with a small ring of jewel thieves, led by a man known as Black Tie (Eriq Ebouaney), who has planned a major score during the Cannes Film Festival. Sexy model Veronica (Rie Rasmussen) is scheduled to make a spectacular entrance for the screening of director Regis Wargnier's picture, wearing a body-hugging piece of jewelry worth a cool ten million dollars. Laure approaches the sexually adventurous Veronica and is able to seduce her, while at the same time stealing her diamond-studded outfit and replacing it with a carefully constructed counterfeit. Veronica, however, also makes off the loot without giving her partners their cut, and must go into hiding in order to avoid the wrath of Black Tie and his cohorts. Fate allows Laure to make her way to the United States, where in time she marries a powerful politician. Photographer Nicolas Bardo (Antonio Banderas), however, had snapped a picture of Laure while she was on the lam years before, and when he takes an assignment to get a photo of the camera-shy woman, Laure realizes Nicolas is in a position to reveal her new identity to the world -- and put the bloodthirsty Black Tie back on her trail. more..
Director: Brian De Palma
Starring: Rebecca Romijn-Stamos,Antonio Banderas,Peter Coyote, Eriq Ebouaney, Edouard Montoute
This is pure filmmaking, elegant and slippery. I haven't had as much fun second-guessing a movie since "Mulholland Drive."
Here, the message is the moviemaking and the unparalleled joy you get from a film that can carry you off so completely, making you forget about everything save for the beautiful lies in front of you.
The story, to the extent that it is comprehensible, is pretentious and banal, closer to "Vanilla Sky" than "Notorious." But Mr. De Palma proves that, in the absence of insight or ideas, some amazing things are possible. It is possible, for instance, to be entranced by a movie without believing it for a second.
Fatale is, truthfully, a mess - an absurdly overwritten Eurotrash thriller that beggars an audience's suspension of disbelief. It's also great over-the-top moviemaking if you're in a slap-happy mood.
Sexy and passably entertaining, with a plot that's too clever by half.
Best Editing
Seattle Film Critics Awards (2002)
Brian De Palma
Sitges - Catalonian International Film Festival (2002)
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