Fatal Attraction
"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). more..
Director: Adrian Lyne
Starring: Michael Douglas, Glenn Close, Anne Archer, Ellen Hamilton Latzen, Stuart Pankin
This is a spectacularly well-made thriller. It is an odd thing, really -- the movie is sexy and at the same time a warning about the costs of sex.
Mr. Lyne takes a brilliantly manipulative approach to what might have been a humdrum subject and shapes a soap opera of exceptional power.
Fatal Attraction rings the changes on your atavistic emotions. Walking out of the theater, you might have a sudden desire to club a woolly mammoth and hide your family in a dark cave -- away from people like Glenn Close.
One of the most effective thrillers in years, Attraction did an excellent job of mixing its suspense with trendy issues of sexual paranoia and monogamy.
Lyne indulges in baroque touches-he is fond of open-grate elevators and water, be it rain or from faucets-but mostly he tells the story in well- tailored vignettes that range from horrifying to humorous.
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ASCAP Film and Television Music Awards (1988)
Best Actress in a Leading Role
Academy Awards (1988)
Best Writing
Academy of Science Fiction, Fantasy & Horror Films (1988)
Best Edited Feature Film
American Cinema Editors (1988)
Best Foreign Language Film
Awards of the Japanese Academy (1989)
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