Fallen Angels
Wong Kar-wai's Fallen Angels is a sequel of sorts to the director's 1994 U.S. breakthrough Chungking Express. Expanding on the latter's style, themes, and mood, Fallen Angels is set in the surreal milieu of urban, nighttime Hong Kong. As with the filmmaker's other features, plot takes a back seat to mood. The wisp of a narrative intercuts two story lines. The first follows a hitman (Leon Lai) who finds that the assassin's life has slowly lost its allure. Complicating his life is his beautiful contact (Michele Reis, a former Miss Hong Kong winner) who pines after him with fetishistic ardor, although the two have never met in their nearly three-year partnership. In another part of the city, He (Takeshi Kaneshiro), a mute, boyish ex-convict, makes a living by sneaking into and running businesses after hours. Still living with his father who runs the Chungking Mansions hotel, the restless Ho falls for Cherry (Charlie Yeung), a woman getting over her breakup with the offscreen Johnny. The movie follows these episodic romances almost half-heartedly as with Wong's other films, and digressionary moments attract much of the camera's distracted gaze. This visually stylish and unabashedly effusive work is considered by some critics to be the quintessential Wong film. more..
Director: Wong Kar-Wai
Starring: Leon Lai, Michele Reis, Takeshi Kaneshiro, Charlie Young, Chen Wanlei
Even Wong's detractors, who consider him more stylist than auteur, will have a tough time dismissing the extraordinary emotional depth he achieves here.
An exhilarating rush of a movie, with all manner of go-for-broke visual bravura that expresses perfectly the free spirits of his bold young people.
Writer-director Wong Kar-wai makes these five self-consciously idiosyncratic types--often seen through distorting lenses in cinematographer Christopher Doyle's somber, garish Hong Kong--fully and instantly believable.
If you're fed up with the stultifying, formula-driven character of today's mainstream films, give Fallen Angels a try. At the very least you'll be engaged, and if you're lucky you may just recapture some of your original wonder at the seductive power of movies.
To describe the plot is to miss the point. Fallen Angels takes the materials of the plot -- the characters and what they do -- and assembles them like a photo montage. At the end, you have impressions, not conclusions.
Best Cinematography
Golden Bauhinia Awards (1996)
Best Original Song
Golden Horse Film Festival (1995)
Best Cinematography
Hong Kong Film Awards (1996)
Hong Kong Film Critics Society Awards (1996)
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