Evita
Evita is based on the musical by Andrew Lloyd Webber and Tim Rice. Actually, the film is more of an opera, with only short moments devoted to dialogue. "Evita" is the friendly, family version of the proper name "Eva," and this film tells the story of Eva Peron (1921-52), a woman whose name evokes powerful feelings in her native Argentina. Throughout this film, as in the musical, the story is explained and commented on by a character known as "Che," played here by Antonio Banderas. The film begins with the news of Evita's death, and then turns to a much earlier scene at her father's funeral. Eva (Madonna) was an illegitimate child (one of many) of a rural landowner and her seamstress mother. Hers is not a wealthy childhood by any means, and she is constantly discriminated against because of her lowly birth. She is refused admission to her father's funeral for this reason. This scene is contrasted with her own funeral, a spectacular affair, not different from the funeral of a beloved head of state. Eva Peron leaves her village at age 15, in the arms her lover Agustin Magaldi (Jimmy Nail), a traveling singer. With his help, she goes to Buenos Aires and begins her campaign to become a performer, actress, and public figure. Many men help her during these years, and she is reported to have given her favors freely. That changes when she becomes involved with Juan Peron (Jonathan Pryce). In 1944, when they meet, Peron is an ambitious young army officer, serving in the right-wing government of the time. When he falls afoul of the government and is imprisoned, Eva uses her position as a celebrity and radio performer to get him released. Peron marries his feisty mistress when he is freed from prison. Eva is a formidable supporter, and her help is crucial to his later becoming head of state. Once Juan Peron becomes the President of Argentina, Eva expects better treatment from Argentina's high society, but they snub her brutally. She, in response, diverts government money from society-led charities, and starts the Eva Peron Foundation. As its president, she works tirelessly to directly better the lot of Argentina's poor. For this work, and for having risen from poor origins to glory, she is beloved by huge masses of her fellow citizens, if not by those in high society. She also arranges for the enfranchisement of women in Argentina. Thus, her death of uterine cancer at age 33, while she was at the height of her power and influence, strikes the whole world as tragic. more..
Director: Alan Parker
Starring: Madonna,Antonio Banderas, Jonathan Pryce, Jimmy Nail, Victoria Sus
But Parker's visuals enliven the music, and Madonna and Banderas bring it passion. By the end of the film we feel like we've had our money's worth, and we're sure Evita has.
Alan Parker's picture is epic, lavish and fascinating. It is not a perfect screen musical, but it is spectacular and it works.
Alan Parker's big-budget adaptation of Andrew Lloyd Webber's surpassingly shrewd stage spectacular isn't a big fat failure. But it isn't a resounding success, either: It's an awkward hybrid, neither lavish eye candy nor credible drama.
Evita is a busy movie with an often noisy soundtrack that can get tedious and monotonous (particularly in the second half), but it's just as likely to sweep one away with its musical, emotional and historical momentum.
So fluidly visual that only a deathbed finale can flag its pace, it's the first Panavision music video to run 21/4 hours, the monotony finally sapping its staying power.
Best Music, Original Song
Academy Awards (1997)
Best Edited Feature Film
American Cinema Editors (1997)
Outstanding Achievement in Cinematography in Theatrical Releases
American Society of Cinematographers (1997)
Andrew Lloyd Webber
BAFTA Awards (1997)
Favorite Song from a Movie
Blockbuster Entertainment Awards (1998)
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