Down With Love
Director Peyton Reed and screenwriters Eve Ahlert and Dennis Drake pay homage to the frothy romantic comedies of the early '60s -- in particular the Doris Day/Rock Hudson vehicles -- in this light-hearted and affectionate spoof. Barbara Novak (Renée Zellweger) is a sweet but savvy small-town librarian who has arrived in New York City with big plans to take on the town. Embracing a feminist philosophy years before it becomes common or fashionable, Novak writes a book called "Down With Love," in which she presents her theory that romantic relationships cause more problems than they solve for women, and urges women to focus instead on what will truly make them happy -- self-reliance, a solid career, and a healthy sex life (or chocolate if the latter is unavailable at the moment). Almost overnight, "Down With Love" becomes a minor scandal and a major bestseller, but not every man is America is happy with the new breed of liberated (and demanding) women spawned by the book's success, and Catcher Block (Ewan McGregor), a lady-killing bachelor who writes for Know Magazine, decides to put Novak to the test. Posing as a shy, retiring type, Block is determined to make Novak fall in love with him, and then share the details with the world through an article in Know. Block's editor Peter MacMannus (David Hyde-Pierce) thinks this is a splendid idea, but to Block's distress, he discovers himself developing real feelings for Novak. Down With Love also features Tony Randall, who significantly appeared in three films with Rock Hudson and Doris Day. more..
Director: Peyton Reed
Starring: Renee Zellweger, Ewan McGregor, David Hyde Pierce, Sarah Paulson, Rachel Dratch
A very smart, very shrewd movie, and the smartest, shrewdest thing about it is the way it masquerades as just a fluffy comedy, a diversion, a trifle.
No better or worse than the movies that inspired it, but that is a compliment, I think.
Could have used more of the shimmering elegance of the Day-Hudson comedies. Those movies had a true sparkle. This one's a likable piece of costume jewelry.
Works hard to earn it and is, for the most part, intelligent and amusing, even if it never achieves the full-tilt zany desperation of Delbert Mann's "Lover Come Back," the best of the real Hudson-Day movies.
Dragging on too long is a more serious flaw in a romantic comedy than it might be in a complex drama. We don't ask much of a movie like this, but we do require it to be snappy, clever and quick.
Best Art Direction
Online Film Critics Society Awards (2004)
Best Costume Design
Phoenix Film Critics Society Awards (2004)
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