Double Take
A man trying to run away from trouble finds it follows him in unexpected ways in this action-packed vehicle for comic actors Eddie Griffin and Orlando Jones. Daryl Chase (Jones) is a successful investment banker who handles international accounts for a major New York firm. Chase discovers to his surprise that one of his biggest clients, a company from Mexico, is actually a front for a cartel of drug smugglers; Chase realizes too late that he's been framed for money laundering, and is now wanted by the FBI. Chase is soon approached by a CIA agent, who thinks Chase's relationship with the Mexican drug kingpins might prove useful, but when his local contact disappears, Chase has to make his way to Mexico in order to save his skin and hopefully clear his name. Needing a new identity to get out of town and across the border, Chase obtains a stolen passport -- and soon learns the man whose name he's using is in even deeper trouble with the law than himself. With nowhere else to turn, Chase asks streetwise hustler Freddie Tiffany (Griffin) to help him get out of town; Chase will pretend to be Freddie, while Tiffany will pose as a businessman like Chase. However, Chase finds out Tiffany isn't the man he thought he was, and that his sticky situation is even more perilous and fraught with secrets than he imagined. Double Take was inspired by the 1957 drama Across The Bridge, which was in turn based on a novel by Graham Greene; the supporting cast includes Edward Herrmann, Gary Grubbs, Garcelle Beauvais, and Daniel Roebuck. more..
Director: George Gallo
Starring: Orlando Jones, Eddie Griffin, Gary Grubbs, Edward Herrmann, Daniel Roebuck
Gallo has delivered a clever suspense comedy that, thanks to a taut script, creative direction, and first-rate performances from its leads, gives Double Take more weight than one would expect from a genre crowd-pleaser.
An even-handed mixture of suspense and comedy that aims to play fair with the audience on both fronts.
Decidedly lowbrow.
As buddy pics go, this is pretty much not even worth a single look, let alone a double take.
I realized there was no hope for the movie because the plot and characters had alienated me beyond repair. If an audience is going to be entertained by a film, first they have to be able to stand it.
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