Demonlover
French director Olivier Assayas departs from his usual dramas with Demonlover, a wild thriller about corporate intrigue, hardcore sex Internet sites, and Japanese animé. Wealthy French business man Henri-Pierre Volf (Jean-Baptise Malartre) assigns Diane de Monx (Connie Nielson) to make a deal with TokyoAnime, a company at the forefront of three-dimensional adult animation, after his former assistant, Karen (Dominique Reymond), is kidnapped. Diane, however, is actually a spy for a different company. Standing in her way is another headstrong business woman (Gina Gershon), and Diane's assistant, Elise Lipsky (Oscar nominee Chloe Sevigny) who questions her boss' morality. Demonlover was screened at the 2002 Cannes Film Festival.
Director: Olivier Assayas
Starring: Connie Nielsen, Charles Berling, Chloe Sevigny, Gina Gershon, Jean-Baptiste Malartre
It's an exasperating, irresistible, must-see mess of a movie about life in the modern world and so very good that even when its story finally crashes and burns the filmmaking remains unscathed.
The entrancing visual imagery goes a long way toward filling in the screenplay's gaps in logic.
Disturbing, darkly beautiful.
Assayas can't resist turning Demonlover into an overcalculatedly irrational rabbit-hole-to-the-dark-side thriller. The movie morphs into a ''dream,'' all right, but I confess that all I wanted to do was wake up from it and return to the slithery intrigue of corporate depravity.
Expect Demonlover to become a midnight-movie staple in the coming years. And expect shards of it to roil your dreams for weeks.
Denis Lenoir
Camerimage (2002)
Olivier Assayas
Cannes Film Festival (2002)
Sonic Youth
Sitges - Catalonian International Film Festival (2002)
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