Death and the Maiden

1994 Mystery & Suspense

Ariel Dorfman's acclaimed play of the same name serves as the basis for Roman Polanski's drama, which depicts a politically and psychological complex battle of wills amongst three characters in an unnamed South American country. The trio in question is made up of Paulina Sigourney Weaver, her husband Gerardo Stuart Wilson, and Dr. Miranda Ben Kingsley, a seemingly friendly stranger who provided Gerardo with a ride home after a car breakdown. The trouble begins when Paulina claims to recognize Miranda's voice, and accuses him of being the unseen doctor who had subjected her to horrific torture during her days as a prisoner of the country's former government. Miranda, flabbergasted, denies any knowledge of such events, but Paulina is determined to have her revenge. The uncertain Gerardo finds himself caught in the middle, forced to decide if his wife is telling the truth or reacting irrationally due to her past trauma. The confrontation and shifts in power between the three inevitably raises issues of justice and revenge, especially in relationship to the punishment of war criminals. more..

Director: Roman Polanski

Starring: Sigourney Weaver, Ben Kingsley, Stuart Wilson

Reviews

  • Death and the Maiden doesn't always escape its contraption origins, but it ends with one of the most honest-and poetic- reckonings of human evil in modern movies. It's Polanski braying at his own bitter moon.

    Owen Gleiberman - Entertainment Weekly

    19 January 2013

  • The material is well served by director Roman Polanski, who knows well how to instill a subtle, claustrophobic sense of dread in an audience and has put together a rather elegant potboiler.

    - TV Guide

    19 January 2013

  • Mr. Polanski's brilliance with the camera turns Ariel Dorfman's well-meaning but pretentious play about human rights into a harrowing experience.

    - The New York Times

    19 January 2013

  • Death and the Maiden is all about acting. In other hands, even given the same director, this might have been a dreary slog.

    Roger Ebert - The Chicago Sun-Times

    19 January 2013

  • Polanski, working from a fluid script by Dorfman and Rafael Yglesias ("Fearless"), gives the story its due. He creates an atmosphere of claustrophobic tension to rival his "Knife in the Water" and "Repulsion".

    Peter Travers - Rolling Stone

    19 January 2013

Awards

  • Best Actress

    Dallas-Fort Worth Film Critics Association Awards (1995)

  • Best Film

    Fantasporto (1995)

     
  • Best Director

    Independent Spirit Awards (1995)