Contact

1997 Sci Fi

The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie's hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film's production until his death in 1996. more..

Director: Robert Zemeckis

Starring: Jodie Foster, Matthew McConaughey, James Woods, John Hurt, Tom Skerritt

Reviews

  • Contact is superior popular filmmaking, both polished and effective. But despite its success and its serious intentions, it's finally a movie where the storytelling makes more of an impact than the story.

    Kenneth Turan - Los Angeles Times

    19 January 2013

  • Sagan's novel Contact provides the inspiration for Robert Zemeckis' new film, which tells the smartest and most absorbing story about extraterrestrial intelligence since "Close Encounters of the Third Kind."

    Roger Ebert - The Chicago Sun-Times

    19 January 2013

  • If you sign on, disarmed of irony, for her trip -- I did -- you'll be rewarded with a rare thing that may in itself prove the existence of a Higher Power: a Hollywood entertainment that makes you consider deep thoughts.

    Lisa Schwarzbaum - Entertainment Weekly

    19 January 2013

  • Its discussions don't go very deep, and moviegoers with strong religious values may wonder why it comes down for humanism over spirituality.

    David Sterritt - Christian Science Monitor

    19 January 2013

  • The movie, adapted from a novel by Carl Sagan, presents one long chain of teasingly open-ended questions about reason versus faith and technology versus religion, and ends up tentatively embracing mysticism over rationality.

    Stephen Holden - The New York Times

    19 January 2013

Awards

  • Top Box Office Films

    ASCAP Film and Television Music Awards (1998)

  • Best Sound

    Academy Awards (1998)

     
  • Best Actress

    Academy of Science Fiction, Fantasy & Horror Films (1998)

  • Best Individual Achievement: Effects Animation

    Annie Awards (1997)

     
  • Favorite Actor - Drama

    Blockbuster Entertainment Awards (1998)