Beloved
Jonathan Demme directed this adaptation of Toni Morrison's fact-based fifth novel (winner of a 1988 Pulitzer Prize), written in an experimental stream-of-consciousness flow and capturing the impact and aftermath of slavery on the human soul. In 1873, middle-aged Sethe (Oprah Winfrey) lives near Cincinnati with her teenage daughter, Denver (Kimberly Elise). She gets a surprise visit from her old friend Paul D (Danny Glover), whom she knew when they were both slaves on the Kentucky plantation Sweet Home. Paul D moves in, and a number of mysteries are introduced, including Sethe's memories of her dead older daughter and the fact that Sethe has been abandoned by her husband, two sons, and Denver's grandmother, Baby Suggs (Beah Richards). When a feral, insect-covered, stuttering teenager (Thandie Newton) turns up at Sethe's house, she is nursed back to health by Denver and called "Beloved." Violent flashbacks begin to explore shocking episodes from Sethe's past. (The film is rated R "for violent images, sexuality and nudity.") Hints of the supernatural surface as the question arises -- could Beloved be Sethe's older daughter, back from the dead? This film was a pet project of producer-star Oprah Winfrey, who spent over a decade bringing this work to the screen after she bought the film rights in 1987. With titles fashioned by leading poster/titles designer Pablo Ferro and music by Rachel Portman, director Demme filmed in a variety of locations, including Pennsylvania (Philadelphia Civic Center, Lancaster's Landis Valley Museum), Maryland (Fair Hill Natural Resources Area), and Delaware (Old New Castle). more..
Director: Jonathan Demme
Starring: Oprah Winfrey,Danny Glover, Thandie Newton, Kimberly Elise, Beah Richards
Doesn't sanitize its tale of African American loss and survival -- the way Steven Spielberg's "The Color Purple'' did -- but delves deeply, heartbreakingly into an American tragedy.
The film had a curious effect on me. I was sometimes confused about events as they happened, but all the pieces are there, and the film creates an emotional whole. It's more effective when it's complete than during the unfolding experience.
What is surprising -- remarkable even -- is that Beloved arrives onscreen with a minimum of dull virtue, gagging uplift and slick Hollywood gloss.
Often a cinematic marvel and often the year's most pungent movie medicine, Beloved always feels as if it's carrying the world's weight, and maybe it is.
Beloved is ungainly and hard to follow at times, like the proverbial giant not quite sure how to best use its strength. But that power exists, present and undeniable, and once this film gets its bearings, the unsentimental fierceness of its vision brushes obstacles and quibbles from its path.
Best Costume Design
Academy Awards (1999)
Best Actor
Acapulco Black Film Festival (1999)
Most Promising Actress
Chicago Film Critics Association Awards (1999)
Excellence in Costume Design for Film
Costume Designers Guild Awards (1999)
Outstanding Lead Actor in a Motion Picture
Image Awards (1999)
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