Being Flynn
Robert De Niro and Paul Dano headline writer/director Paul Weitz's adaptation of Nick Flynn's memoir Another Bullshit Night in Suck City. The story concerns a struggling writer named Nick (Dano), who is working at an inner-city homeless shelter when his estranged father Jonathan (De Niro) shows up looking for a place to rest his head. Dale Dickey, Lili Taylor, Olivia Thirlby, and Julianne Moore co-star in a film produced by Depth of Field in association with Tribeca Productions and Corduroy Films.
Director: Paul Weitz
Starring: Robert De Niro, Paul Dano, Olivia Thirlby, Julianne Moore, Dale Dickey
What's admirable about Being Flynn is that it doesn't cave in to the standard Hollywood redemption formulas, with the father redeemed and the son inspired. It's more complicated than that.
Weitz's sense of play and the Badly Drawn Boy soundtrack each give Being Flynn an enjoyable lightness; meanwhile, the curdled, hidden rage lurking within both Flynns gives it an equally enjoyable edge.
Here, you can feel De Niro's full engagement in a character that echoes his roles in "Taxi Driver" and "Awakenings." It's a great wreck of a performance that feels bruisingly true. At its best, when it keeps sentimentality at bay, so does Being Flynn.
Is it possible for an actor to go through the motions even as he's going over the top? In Being Flynn, Robert De Niro does phoned-in scenery chewing.
There is honest feeling, genuine humanity and real intelligence in this movie, but there is also a sense of caution, of indecisiveness, that undermines its potential power. Being Flynn is an honorably ambivalent film, finally unsure of what to do with the two strong, complicated characters at its center.
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