Becket

1964 Drama

A high-class costume drama with a substantive historical basis, Becket is the true story of the friendship between King Henry II (Peter O'Toole) and Thomas à Becket (Richard Burton), a royal courtier and confidant whom Henry appoints as Archbishop of Canterbury. As Becket takes his duties with the Church seriously, he finds himself increasingly at odds with the King, who finally orders the death of his once-close companion when he continues to defy the throne. Burton is very good and O'Toole is even better: both men were nominated for the Best Actor Oscar, while Edward Anhalt's screenplay, based on the stageplay by Jean Anouilh, won for Best Adapted Screenplay. The basic theme of separation of church and state still reverberates today, while the top-notch production values ensure Becket's place as one of Britain's better historical epics.

Director: Peter Glenville

Starring: Peter O'Toole,Richard Burton, John Gielgud, Martita Hunt, Donald Wolfit

Reviews

  • While major stars thrust together on screen often end up undercutting each other, one of the pleasures of Becket is how easily and generously these two commanding actors play off each other, each allowing the other the space to make the most of their individual roles.

    Kenneth Turan - Los Angeles Times

    29 November 2012

  • Burton is extraordinary in one of his rare good movie roles and O'Toole is regally madcap and larger than life. No doubt his Oscar-nominated appearance in "Venus" has prompted this rerelease of Becket. They make a fascinating then-and-now combination.

    Peter Rainer - Christian Science Monitor

    29 November 2012

  • O'Toole just keeps turning up the volume, and it's thrilling to watch.

    M. E. Russell - Portland Oregonian

    29 November 2012

  • It is a snapshot of a great actor in his prime and a chance for us to see one of yesteryear's great films in all its kingly luster.

    Desson Thomson - The Washington Post

    29 November 2012

  • Becket, now richly restored, is one of those '60s British theatrical spectaculars that we always imagine as a bit better than they were.

    Michael Wilmington - The Chicago Tribune

    29 November 2012

Awards

  • Best Writing, Screenplay Based on Material from Another Medium

    Academy Awards (1965)

  • Best Edited Feature Film

    American Cinema Editors (1965)

     
  • Best British Art Direction (Colour)

    BAFTA Awards (1965)

  • Geoffrey Unsworth

    British Society of Cinematographers (1964)

  • Best Foreign Film (Mejor Película Extranjera)

    Cinema Writers Circle Awards, Spain (1965)