Au hasard Balthazar

1966 Drama

Robert Bresson's acclaimed Au Hasard, Balthazar presents an unfettered view of human cruelty, suffering and injustice, filtered through the eyes of a donkey over the course of his long life. The burro at the film's center begins life peacefully and happily, as the unnamed play-object of some innocent children in bucolic France, but his circumstances change dramatically when he becomes the property of a young woman named Marie - who christens him Balthazar. As she grows up and encounters tragedy and heartbreak, so does Balthazar; he passes from owner to owner, who treat him in a variety of ways, from compassionately to cruelly. The donkey, of course, lacks the capacity to comprehend the motivations of each individual but accepts whatever treatment (and role) is handed him, nobly and admirably. Bresson ultimately uses the story as a heart-rending allegorical commentary on human spiritual transcendence. more..

Director: Robert Bresson

Starring: Anne Wiazemsky, François Lafarge, Philippe Asselin, Nathalie Joyaut

Reviews

  • If in Bresson's films nothing ever seems out of place or superfluous it's because he strove to find the essential truth of the image. Not an image or sound is wasted -- or offered up in self-glorification -- and from such seeming simplicity there arises a world of feeling.

    Manohla Dargis - Los Angeles Times

    29 November 2012

  • Bresson suggests that we are all Balthazars. Despite our dreams, hopes and best plans, the world will eventually do with us whatever it does.

    Roger Ebert - The Chicago Sun-Times

    29 November 2012

  • To see Au Hasard Balthazar is to understand the limits of religious literalism in movies -- the limits, even, of movies themselves. Bresson pares everything away until all that's left are the things we do and the hole left by the things we could have done but didn't.

    Ty Burr - The Boston Globe

    29 November 2012

  • 1966 French masterpiece -- the finest, most deeply personal work of a filmmaker who has been compared, justifiably, to both Dostoyevsky and Bach.

    Michael Wilmington - The Chicago Tribune

    29 November 2012

  • This great film, made with uncompromising honesty and devastating reality, is, according to Jean-Luc Godard, "the world in an hour and a half."

    - TV Guide

    29 November 2012

Awards

  • Best Film

    French Syndicate of Cinema Critics (1967)

  • Robert Bresson

    Venice Film Festival (1966)