Atlantis: The Lost Empire
The first Disney cartoon to be produced in the 70 mm format since The Black Cauldron (1985), this blend of traditional animation with computer-generated imagery is a straight adventure tale of the Jules Verne school, eschewing the studio's typical formula of cute critters mixed with song-and-dance routines. Michael J. Fox is the voice of Milo Thatch, a lowly museum employee and linguist in the early 20th century who's determined to continue his late grandfather's search for the lost, sunken empire of Atlantis. Bankrolled by eccentric millionaire Preston Whitmore (John Mahoney), Milo teams up with a diverse crew of mercenaries led by submarine commander Rourke (James Garner). After a sea battle with a giant denizen of the deep, the explorers locate the submerged civilization. Milo falls in love with Princess Kida (Cree Summer), the daughter of Atlantis' aged ruler (Leonard Nimoy), and must choose sides when it's revealed that some of his fellow expedition members intend to steal a mystical energy source from their hosts. Claudia Christian, Mark Hamill, David Ogden Stiers, Don Novello, and the late Jim Varney co-star. Although considered a shoo-in for a nomination in the debut year of the new Oscar category of Best Animated Feature, Atlantis: The Lost Empire faced stiff competition from other non-live-action entertainment in the summer of 2001, including Shrek, Final Fantasy, and Monsters Inc.. more..
Director: Gary Trousdale
Rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences.
A monumental treat as well as a crafty assemblage of mythologies.
The emphasis here is less on cuteness and romance and more on the "Raiders of the Lost Ark"-style adventure.
For all its handsomeness, the movie reveals a few cobwebs beginning to gather at the conceptual edges of the Disney animations.
Story line and characterization are decidedly old-fashioned, and a curious decision about production design gives this wide-screen cartoon some of the look and feel of a Saturday morning TV cartoon series
Outstanding Individual Achievement for Effects Animation
Annie Awards (2001)
Original Retrospective Documentary, New Release
DVD Exclusive Awards (2003)
Best Sound Editing - Animated Feature Film, Domestic and Foreign
Motion Picture Sound Editors (2002)
Best Animated Feature
Online Film Critics Society Awards (2002)
Democracy
Political Film Society (2002)
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