Angel of Evil: Vallanzasca
Director Michele Placido and actor Kim Rossi Stuart team up to tell the tale of notorious Italian outlaw Renato Vallanzasca, whose penchant for bold crimes, daring prison breaks, and extravagant showmanship transformed him into an underworld celebrity in the 1970s. Vallanzasca was just nine years old when he and a group of mischievous friends snuck into a local circus to free a tiger, but that fateful day marked the beginning of a spectacular criminal career. Subsequently sent to a juvenile detention facility, Vallanzasca soon rounded up a gang comprised of familiar deviants upon his release, and quickly rose through the ranks of Italy's criminal elite. With the stunning Consuelo (Valeria Solarino) by Vallanzasca's side, not even San Vittore can hold the slippery desperado. And though Vallanzasca's gang would live the high life for a while, the impulsive leader would ultimately seal his own fate when he ruthlessly killed two policemen in a Dalmine tool booth. Having made a sworn enemy out of rival gangster Francis Turatello (Francesco Scianna), Vallanzasca strives to end the rivalry after being incarcerated in Rebibbia Prison. In and out of prison in the decades that followed, Vallanzasca found his life as a fugitive drawing to a close after reconnecting with his old friend Antonella D'Agostino (Paz Vega), whom he would later wed in a civil ceremony. more..
Director: Michele Placido
Starring: Filippo Timi, Kim Rossi Stuart
What is missing is any sort of psychological insight. Just what made Renato run? You won't find out here.
A slick, enthralling look at the life of Vallanzasca but fails to truly get under his skin.
Angel of Evil is bloody, yes, but loaded with generic action sequences, shouting matches and blustery sentiment. To borrow Robert Evans's famous quotation about "The Godfather," you can smell the spaghetti, but less sauce might have helped.
Though there's no shortage of mustache-quivering energy and wide-collared strutting, Angel of Evil can't separate itself enough from the pack as a character piece to be memorable as anything other than a blood-spattered timeline.
In many ways reminiscent of "Mesrine" but suffers greatly in comparison. It hits many of the same marks -- but the scenes unfold almost elliptically, never really building or illuminating character, and never sparking narrative momentum.
Michele Placido
Brussels European Film Festival (2011)
Best Actor (Migliore Attore Protagonista)
David di Donatello Awards (2011)
Best Actor
Flaiano International Prizes (2011)
Best Actor (Migliore Attore Protagonista)
Italian National Syndicate of Film Journalists (2011)
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