An Officer and a Gentleman
Richard Gere plays Zack Mayo, an aloof, taciturn man who aspires to be a navy pilot. Once he's arrived at training camp for his 13-week officer's course, Mayo runs afoul of abrasive, no-nonsense drill sergeant Emil Foley (Louis Gossett Jr.). Mayo --or "Mayonnaise," as he is dubbed by the irascible Foley -- is an excellent cadet, but a little cold around the heart. Foley rides Mayo mercilessly, sensing that the young man would be prime officer material if he weren't so self-involved. Zack's affair with working girl Paula Pokrifi (Debra Winger) is likewise compromised by his unwillingness to give of himself. Only after Mayo's best friend Sid Worsley (David Keith) commits suicide over an unhappy romance does Zack come out of his shell and mature into a real human being. Take away the R-rated dialogue and the sex scenes, and Officer and a Gentleman could have been a 1937 MGM flick, maybe with Robert Taylor as Zack, Wallace Beery as Foley, and Jimmy Stewart as Sid. An Officer and a Gentleman was nominated for 7 Oscars, with wins to Gossett and to the hit song "Up Where We Belong." The closing scene has surely become a classic of movie romance. more..
Director: Taylor Hackford
Starring: Richard Gere, Debra Winger, Louis Gossett Jr., Worley Keith, Robert Loggia
An Officer and a Gentleman is the best movie about love that I've seen in a long time.
Undeniably, there's an element of corniness to this. But that doesn't keep An Officer and a Gentleman from being a first-rate movie - a beautifully acted, thoroughly involving romance.
An Officer and a Gentleman deserves a 21-gun salute, maybe 42. Rarely does a film come along with so many finely-drawn characters to care about.
The performances are uniformly strong, with Gere offering some of his best work - though it pales in comparison with Gossett's tour de force as the tough, principled Sgt. Foley.
An awesomely, stiflingly professional piece of work, with a fleet, superficial visual style, perfectly placed climaxes, and a screenplay (by Douglas Day Stewart) that doesn't waste a single character or situation - everything is functional, and nothing but functional.
Best Actor in a Supporting Role
Academy Awards (1983)
Best Foreign Language Film
Awards of the Japanese Academy (1984)
Best Original Song
BAFTA Awards (1984)
Outstanding Directorial Achievement in Motion Pictures
Directors Guild of America (1983)
Best Actor in a Supporting Role - Motion Picture
Golden Globes (1983)
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