Amistad
This Steven Spielberg-directed exploration into a long-ago episode in African-American history recounts the trial that followed the 1839 rebellion aboard the Spanish slave ship Amistad and captures the complex political maneuverings set in motion by the event. Filmed in New England and Puerto Rico, the 152-minute drama opens with a pre-credit sequence showing Cinque (Djimon Hounsou) and the other Africans in a violent takeover of the Amistad. Captured, they are imprisoned in New England where former slave Theodore Joadson (Morgan Freeman), viewing the rebels as "freedom fighters," approaches property lawyer Baldwin (Matthew McConaughey), who attempts to prove the Africans were "stolen goods" because they were kidnapped. Running for re-election, President Martin Van Buren (Nigel Hawthorne) overturns the lower court's decision in favor of the Africans. Former President John Quincy Adams (Anthony Hopkins) is reluctant to become involved, but when the case moves on to the Supreme Court, Adams stirs emotions with a powerful defense. The storyline occasionally cuts away to Spain where the young Queen Isabella (Anna Paquin) plays with dolls; she later debated the Amistad case with seven U.S. presidents. The character portrayed by Morgan Freeman is a fictional composite of several historical figures. For authentic speech, the Africans speak the Mende language, subtitled during some scenes but not others. more..
Director: Steven Spielberg
Starring: Morgan Freeman,Anthony Hopkins, Matthew McConaughey, Nigel Hawthorne, Djimon Hounsou
Sheer power, moral and otherwise. It possesses a massively majestic hero.
Becomes a too-stately courtroom drama, with the Africans in the dock, the issue of slavery on trial at didactic length, and the top-billed Morgan Freeman as an abolitionist shunted to the sidelines with too little to do.
Hounsou, a West African model with beauty and presence but no acting experience, carries much of the movie on his broad shoulders with surprising skill and strength.
What is most valuable about Amistad is the way it provides faces and names for its African characters, whom the movies so often make into faceless victims.
Dwarfed by the enormity of what it means to illustrate, the diffuse Amistad divides its energies among many concerns: the pain and strangeness of the captives' experience, the Presidential election in which they become a factor, the stirrings of civil war, and the great many bewhiskered abolitionists and legal representatives who argue about their fate.
Best Actor in a Supporting Role
Academy Awards (1998)
Outstanding Achievement in Cinematography in Theatrical Releases
American Society of Cinematographers (1998)
Feature Film
Art Directors Guild (1998)
Best Supporting Actor
Broadcast Film Critics Association Awards (1998)
Best Supporting Actor
Chicago Film Critics Association Awards (1998)
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