American Pimp
Albert and Allen Hughes, the writing and directing team of Menace II Society and Dead Presidents, turn their documentary eye to the world of street pimps in this 1999 Sundance Film Festival Documentary Competition entry. The black urban pimps interviewed here open up to reveal their world and their secrets to the camera in a film that is not about sex, but about power. We meet pimps named Filmore Slim, C-Note, K-Red, Gorgeous Dre, and Rosebudd as they discuss their business, including percentages, lifestyles, stealing "ho's," and the Player's Ball. These men exude charm and charisma, and boast rock-star status in their communities, with expensive clothes, cars, and bankrolls. The film works as an allegory to the film and music industries, where people are lured with glamour and money, only to be used as commodity and tossed out once they have passed their prime. The film also traces the history of the street pimp from the '20s to the present, with particular emphasis on the '70s pimp, whose lifestyle was exposed in the blaxploitation films of the '70s. more..
Director: Albert Hughes
Supple and engrossing, a liquid-smooth street-rap testimonial.
Eighty-six minutes proves to be more than enough time to spend with these characters, but the Hughes Brothers make the case that this is a subculture as compelling as it is repellent.
What we are left with is a mildly entertaining "man on the street" gloss, seasoned with fragments from blaxploitation movies and music by Isaac Hayes, Marvin Gaye and others.
American Pimp, if not quite a self-serving orgy of self-justification, can hardly be thought of as a searching look at the skin trade.
Unfortunately, you really only hear about prostitution from the side of the pimp.
Theatrical - Best Director
Black Reel Awards (2001)
Documentary
Sundance Film Festival (1999)
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