A Time to Kill
Carl Lee Hailey (Samuel L. Jackson) takes the law into his own hands after the legal system fails to adequately punish the men who brutally raped and beat his daughter, leaving her for dead. Normally, a distraught father could count on some judicial sympathy in those circumstances. Unfortunately, Carl and his daughter are black, and the assailants are white, and all the events take place in the South. Indeed, so inflammatory is the situation, that the local KKK (led by Kiefer Sutherland) becomes popular again. When Hailey chooses novice lawyer Jake Brigance (Matthew McConaughey) to handle his defense, it begins to look like a certainty that Carl will hang, and Jake's career (and perhaps his life) will come to a premature end. Despite the efforts of the NAACP and local black leaders to persuade Carl to choose some of their high-powered legal help, he remains loyal to Jake, who had helped his brother with a legal problem before the story begins. Jake eventually takes this case seriously enough to seek help from his old law-school professor (Donald Sutherland). When death threats force his family to leave town, Jake even accepts the help of pushy young know-it-all lawyer Ellen Roark (Sandra Bullock). more..
Director: Joel Schumacher
Starring: Matthew McConaughey, Samuel L. Jackson,Sandra Bullock,Kevin Spacey, Brenda Fricker
If the film doesn't add up to a cogent legal argument, neither does it have trouble delivering 2 hours and 20 minutes' worth of sturdy, highly charged drama.
A Time to Kill, based on the first novel by John Grisham, is a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions.
Joel Schumacher, the director of "Falling Down," "The Client" and "Batman Forever," has a strong feel for this kind of glossy pop entertainment and a way of integrating social issues without sacrificing narrative drive.
Oblivious to niceties like subtlety, plausibility and discretion, it rushes heedlessly toward its destination of audience arousal. Like a flood, the impact is undeniable but it's not something everyone will want to get in the way of.
A slick, synthetic, self-important drama that thinks it is saying more than it is simply because of its subject matter.
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ASCAP Film and Television Music Awards (1997)
Favorite Actress - Suspense
Blockbuster Entertainment Awards (1997)
Most Promising Actor
Chicago Film Critics Association Awards (1997)
Best Performance by an Actor in a Supporting Role in a Motion Picture
Golden Globes (1997)
Best Instrumental Composition Written for a Motion Picture or for Television
Grammy Awards (1997)
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