A Time to Kill

1996 Drama

Carl Lee Hailey (Samuel L. Jackson) takes the law into his own hands after the legal system fails to adequately punish the men who brutally raped and beat his daughter, leaving her for dead. Normally, a distraught father could count on some judicial sympathy in those circumstances. Unfortunately, Carl and his daughter are black, and the assailants are white, and all the events take place in the South. Indeed, so inflammatory is the situation, that the local KKK (led by Kiefer Sutherland) becomes popular again. When Hailey chooses novice lawyer Jake Brigance (Matthew McConaughey) to handle his defense, it begins to look like a certainty that Carl will hang, and Jake's career (and perhaps his life) will come to a premature end. Despite the efforts of the NAACP and local black leaders to persuade Carl to choose some of their high-powered legal help, he remains loyal to Jake, who had helped his brother with a legal problem before the story begins. Jake eventually takes this case seriously enough to seek help from his old law-school professor (Donald Sutherland). When death threats force his family to leave town, Jake even accepts the help of pushy young know-it-all lawyer Ellen Roark (Sandra Bullock). more..

Director: Joel Schumacher

Starring: Matthew McConaughey, Samuel L. Jackson,Sandra Bullock,Kevin Spacey, Brenda Fricker

Reviews

  • If the film doesn't add up to a cogent legal argument, neither does it have trouble delivering 2 hours and 20 minutes' worth of sturdy, highly charged drama.

    Elvis Mitchell - The New York Times

    29 November 2012

  • A Time to Kill, based on the first novel by John Grisham, is a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions.

    Roger Ebert - The Chicago Sun-Times

    29 November 2012

  • Joel Schumacher, the director of "Falling Down," "The Client" and "Batman Forever," has a strong feel for this kind of glossy pop entertainment and a way of integrating social issues without sacrificing narrative drive.

    Edward Guthmann - The San Francisco Chronicle

    29 November 2012

  • Oblivious to niceties like subtlety, plausibility and discretion, it rushes heedlessly toward its destination of audience arousal. Like a flood, the impact is undeniable but it's not something everyone will want to get in the way of.

    Kenneth Turan - Los Angeles Times

    29 November 2012

  • A slick, synthetic, self-important drama that thinks it is saying more than it is simply because of its subject matter.

    Lisa Schwarzbaum - Entertainment Weekly

    29 November 2012

Awards

  • Top Box Office Films

    ASCAP Film and Television Music Awards (1997)

  • Favorite Actress - Suspense

    Blockbuster Entertainment Awards (1997)

  • Most Promising Actor

    Chicago Film Critics Association Awards (1997)

     
  • Best Performance by an Actor in a Supporting Role in a Motion Picture

    Golden Globes (1997)

     
  • Best Instrumental Composition Written for a Motion Picture or for Television

    Grammy Awards (1997)