A Slipping-Down Life
Making its world premiere at the 1999 Sundance Film Festival, this story adapted for the screen and directed by first-timer Toni Kalem is based on the Anne Tyler novel of the same name. The story deals with finding love in a dead-end life. Evie (Lili Taylor) is a loner, living with her widowed father, who works at an aging kiddie park where she is a costumed cartoon character. One night she hears the words and music of a musician named Drumstrings Casey (Guy Pearce) on the radio, and Evie is immediately infatuated by him. She attends his concerts and falls in love with him. The problem is he doesn't know she exists, so Evie decides to carve Casey's name on her forehead with broken glass. The resulting media attention gets her an introduction to Drumstrings Casey himself. From there, a relationship develops as Casey needs Evie for creative support and Evie needs Casey for emotional stability. Soon after, they get married; unfortunately their problems only get worse as Casey's career takes a nosedive and Evie's father passes away. Will these two people make something of themselves or will they forever just be slipping down life? more..
Director: Toni Kalem
Starring: Lili Taylor, Guy Pearce, Irma P. Hall, John Hawkes, Veronica Cartwright
The movie is not a great dramatic statement, but you know that from the modesty of the title. It is about movement in emotional waters that had long been still. Taylor makes it work because she quietly suggests that when Evie's life has stalled, something drastic was needed to shock her back into action, and the carving worked as well as anything.
The casting of Taylor gives the film a powerful center, a bright light that keeps it on course.
Although mood often substitutes for momentum in Ms. Kalem's film, both of her stars give affecting performances, and there's growth on both sides of the unlikely romance.
A Slipping-Down Life has a worn, scruffy feeling. It gazes lovingly at vintage clothes and battered old cars as if they were the visible signs of authenticity, wishing that its morose, disconnected inhabitants could somehow be touched with the same elusive quality.
Has an oddness and whimsicality about it that can, at first, be confused for authenticity.
Best Romance
Golden Trailer Awards (2005)
Performance
Indianapolis International Film Festival (2004)
Outstanding Achievement in Acting
Newport Beach Film Festival (2004)
Dramatic
Sundance Film Festival (1999)
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