A Chorus Line
Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. more..
Director: Richard Attenborough
Starring: Michael Douglas, Alyson Reed, Terrence Mann, Cameron English
This is one of the most intelligent and compelling movie musicals in a long time - and the most grown up.
A classic play has been reduced a decent movie. It's a shame it couldn't be as good as the play; it's a small pleasure that it's as entertaining as it is.
Chorus often seems static and confined, rarely venturing beyond the immediate. Attenborough merely films the stage show as best he could.
Richard Attenborough's film version of the long-running Broadway musical hit A Chorus Line not only avoids the disaster that many had predicted for it, but is often surprisingly effective and enjoyable, transcending its troubled history.
Attenborough has done what nobody thought possible - recreate a classic without raping and pillaging the original, though Chorus Line purists will find plenty to moan about.
Best Film Editing
Academy Awards (1986)
Best Foreign Language Film
Awards of the Japanese Academy (1987)
Best Editing
BAFTA Awards (1986)
Best Director - Motion Picture
Golden Globes (1986)
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