Soul Power

2009 Documentary

Presented in conjunction with the landmark "Rumble in the Jungle" boxing match between famed pugilists Muhammad Ali and George Foreman, Zaire '74 was a three-day music festival in Kinshasa that was organized by South African musician Hugh Masekela and American record producer Stewart Levine, and featured performances by such famed musicians as James Brown, Bill Withers, and B.B. King, among others. Many of the American musicians performing at Zaire '74 had been emboldened by the American Civil Rights movement, and saw their journey to Africa as a unique opportunity not just to perform for a new set of enthusiastic fans, but to explore their roots as well. However, while the forward-thinking promoters of Zaire '74 hired a talented team of documentary filmmakers to capture everything from the setup to the performances to everyday life in Kinshasa, the project ran into trouble when the Liberian investment group that financed the festival and film ran into some rather serious legal disputes. For the next three decades, the remarkable footage would sit untouched and unedited -- a valuable sociohistorical artifact seemingly forgotten, and left to succumb to the ravages of time. Later, in 1996, the rights were settled in order to help facilitate the completion of When We Were Kings, an Academy Award-winning documentary focusing on the very same Ali/Foreman match that took place alongside the Zaire '74 music festival. Recognizing the need to assemble the neglected Zaire '74 footage while it was still possible, When We Were Kings editor Jeffrey Levy-Hinte made it his own personal mission to see the long gestating project through to completion. The result is not simply a concert film featuring some of the most popular African and American musicians of the era, but also a pure cinéma vérité glimpse into a time when the musical crossover between the two nations was just beginning to emerge. more..

Director: Jeffrey Levy-Hinte

Reviews

  • Soul Power, as aptly and succinctly titled a movie as I have ever seen, takes you to a place where the discipline that produces great popular art is indistinguishable from the ecstasy that art creates.

    A.O. Scott - The New York Times

    19 January 2013

  • A vibrant and joyous new documentary.

    Kenneth Turan - Los Angeles Times

    19 January 2013

  • Explodes in a burst of energy, musical chops and an eerie political prescience that makes it feel like something beamed from some past-is-future time warp.

    Ann Hornaday - The Washington Post

    19 January 2013

  • Period pieces can be marvelous or musty, depending on the period, as well as the piece. Soul Power is marvelous.

    Joe Morgenstern - The Wall Street Journal

    19 January 2013

  • What's infectious in Soul Power is the almost shocking optimism of its America-meets-Africa '70s world-beat vibe.

    Owen Gleiberman - Entertainment Weekly

    19 January 2013

Awards

No awards